di Raffaele Pè – “The project provides a relevant example of a convolutive landscape, as the data extracted from the reality through a sensing tool…”
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di Helena Gentili – Today the dilemmas of public spaces appear to lie in the way we relate to it. Correspondences between space and society have been changed and new urbanism approaches as the rhythm of the cities […]
di Pier Alessio Rizzardi – In China, the face of the city is characterized by the demolition. The view is a huge construction site hidden behind the walls and billboards with renderings of what you will see in a few months. […]
di Kristian Fabbri – The distinction between humanistic and scientific knowledge put forward by Charles Percy Snow, has largely become outdated. It is no longer applicable to a number of different fields of science and humanities […]
di Fiorella Vanini – The Double concept – i.e. a person seeing an independent and yet identical body in front – is essentially modern and comes into being with the German Romanticism […]
by DOGMA (Pier Vittorio Aureli and Martino Tattara) – The following proposes an idea of the city based on architecture. It is a well-known fact that the modern city is characterised by a great divergence between the scale of architectural form and the urban dimension […]
Forty-six years after the «Architectural Review» noted that Mozambique’s Pancho Guedes had received «no attention … by the outside world,» little has changed, and yet Guedes’ work maps back onto a larger history of modern architecture in at least three obvious and interrelated ways. […]
by Simon Sadler
Drawing is the prism through which Pancho understands and creates his worlds. It is the medium through which everything he makes, begins. The prism is the engine of his imagination where the alchemy takes place, releasing images by transforming ideas and hunches into thoughts with some fixity of form and definite presence. […]
by Pedro Guedes
It could be argued that the mythology of (lone white male) authorship is particularly strong in Australian architecture, where it is amplified – from the outside, at least – by a kind of frontier exoticism, and a ‘regionalist’ fetishisation of site, climate, and place. A key illustration of this is the award of the 2002 Pritzker Prize to Murcutt […]
by Naomi Stead
Built at the junction of the impossible with the available, or of the possible and the enchanting non-existent, fantastic architecture is the serious game of projection between iam and nondum, the already and the not-yet […] by Guglielmo Bilancioni